Shortly after, Diana decides to venture to the Underworld to look for Zola. Lennox requests to come, but Diana shoots down his attempt, saying that she is going solo, save for Hermes as the only way to go to Hades is to either die or be escorted by Hermes. While in the Underworld, Hermes tells that the place is more or less an extension of Hades' (now preferring to call himself "Hell") will.
In one episode, a newspaper editor named Brown, desperate to discover Wonder Woman’s past, assigns a team of reporters to chase her down; she easily escapes them. Brown, gone half mad, is committed to a hospital. Wonder Woman disguises herself as a nurse and brings him a scroll. “This parchment seems to be the history of that girl you call ‘Wonder Woman’!” she tells him. “A strange, veiled woman left it with me.” Brown leaps out of bed and races back to the city desk, where he cries out, parchment in hand, “Stop the presses! I’ve got the history of Wonder Woman!” But Wonder Woman’s secret history isn’t written on parchment. Instead, it lies buried in boxes and cabinets and drawers, in thousands of documents, housed in libraries, archives and collections spread all over the United States, including the private papers of creator Marston—papers that, before I saw them, had never before been seen by anyone outside of Marston’s family.
In 2016, DC Comics once again relaunched all of its publications as part of the "DC Rebirth" continuity reboot, and the new fifth volume of Wonder Woman was released bi-monthly with writer Greg Rucka. This fifth volume of Wonder Woman is part of the "DC Universe", the current continuity established after Rebirth. Initially, the new series does not use a regular storyline that exists between each issue; instead two separate storylines share the book, with an installment of one story published every other issue, and those of the other storyline published in between those. This practice began with the storyline "The Lies" for the odd numbered issues, and "Year One" for the even numbered issues. The new storyline as presented in these issues effectively retcons the events from the previous New 52 series. "The Lies" storyline reveals that a number of events from the previous Wonder Woman series in which Diana was made the Queen of the Amazons and the God of War, was in fact all an illusion created by a mysterious villain, and she had never once been back to Themyscira ever since she left, nor is she capable of returning there. The "Year One" story is presented as an all-new origin story for Diana, which reveals how she received her powers from the Olympian Gods, which was intended to bring her back to her classical DC roots. Wonder Woman appears in DC Rebirth with a revised look, which includes a red cape and light armor fittings. Along with her lasso and bracelets, she now regularly utilizes her sword and shield. Wonder Woman: Rebirth artist Liam Sharp described the new armor as a utilitarian piece which allows her to move more freely. Starting from Issue 26, the series returned to a regular storyline between each issue.
Wonder Woman's outfit has varied over time, although almost all of her outfit incarnations have retained some form of chestplate, subligaculum, tiara, bracelets, and her signature five-pointed star symbols. When Wonder Woman was first introduced, she wore a heavily patriotic skirt and red top which incorporated an American eagle and elements of the United States flag, reflecting the comic's origins during World War II. Later artists introduced what would become Wonder Woman's classic ensemble, adding an armored plate to her top whose design recalls a letter W and revealing blue short shorts, whose precise length varied from artist to artist. Other artists have experimented with different looks for Wonder Woman over the years, including an all-white mod jumpsuit, a biker outfit, a variation of her mainstream depiction featuring leather pants and a jacket, and a number of armoured battlesuits. Contemporary artists have attempted to emphasise Wonder Woman's traditional outfit as a red armored top with a blue gladiator skirt.
Princess Diana commands respect both as Wonder Woman and Diana Prince; her epithetical title – The Amazon Princess – illustrates the dichotomy of her character. She is a powerful, strong-willed character who does not back down from a fight or a challenge. Yet, she is a diplomat who strongly "favors the pen", and a lover of peace who would never seek to fight or escalate a conflict. She's simultaneously both the most fierce and most nurturing member of the Justice League; and her political connections as a United Nations Honorary Ambassador and the ambassador of a warrior nation makes her an invaluable addition to the team. With her powerful abilities, centuries of training and experience at handling threats that range from petty crime to threats that are of a magical or supernatural nature, Diana is capable of competing with nearly any hero or villain.
It’s strange to think that an issue that is mostly a fight scene would be a slow one. Wonder Woman and Jason go up against King Best with cool powers and team attacks. The problem, however, is that it continues to cut away from this action by showing what the other Dark Gods are doing. While it would be interesting to see such at the beginning, it is spread throughout and bogs the whole story down. I want to look at Wonder Woman and her brother fight a giant god, not learn that a random guy is hypnotized by a Dark God. It’s choppy storytelling like this that makes the comic feel more like a chore to read.
At the end of the 1960s, under the guidance of Mike Sekowsky, Wonder Woman surrendered her powers in order to remain in Man's World rather than accompany her fellow Amazons to another dimension. Wonder Woman begins using the alias Diana Prince and opens a mod boutique. She acquires a Chinese mentor named I Ching, who teaches Diana martial arts and weapons skills. Using her fighting skill instead of her powers, Diana engaged in adventures that encompassed a variety of genres, from espionage to mythology. This phase of her story was directly influenced by the British spy thriller The Avengers and Diana Rigg's portrayal of Emma Peel.
The "Lies" story arc runs parallel with and explores Diana's search. No longer able to get into Mount Olympus, Diana tracks down Barbara Ann Minerva, the Cheetah, to get help. Cheetah agrees to help in exchange for Diana aiding her in killing the god Urzkartaga and ending Minerva's curse. The pair battle their way through Urzkartaga's minions, the Bouda, and defeat Andres Cadulo, a worshiper of Urzkartaga that planned to sacrifice Steve Trevor to the plant god. Once reverted to her human form, Minerva agreed to help Wonder Woman find her way back to Paradise Island. During this time, Wonder Woman reconnects with Steve. Minerva eventually realizes Paradise Island is an embodiment of emotion instead of a physical place, so Wonder Woman and Steve head out to find the island. They succeed and Wonder Woman is greeted by her mother and sisters, though Steve senses something is wrong. Wonder Woman comes to realize nothing is as she remembers and, upon using the Lasso of Truth, discovers everything she thought she knew was a lie: she never really returned to Themyscira after departing with Steve years earlier. The revelation shatters Diana's mind and she is left nearly insane. Veronica Cale, a businesswoman who has been desiring to find Themyscira and the leader of Godwatch, sends a military group called Poison after her, but Diana's state has left her vulnerable and oblivious to the danger she and Steve are in. Steve wards them off long enough for them to be rescued, and reluctantly places Diana in a mental hospital so she can get help. While there she comes to grasp the reality she thought she knew was false, eventually coming out of her stupor and able to rejoin the others in tracking down Veronica Cale, who is trying to find Themyscira.
Upon arriving, Diana and Hermes found themselves under attack by Hades' minions. Though they fought them off, they were surprised to find that time for Zola had passed much more quickly than for them. Her pregnancy was nearly at the end of its term. When they attempted to leave with her, Hades appeared, warning that one of them must stay behind - and if Diana was unprepared to make Hera his wife as promised - she would do. However, upon Eros' pistols, he instead agreed to let them all go in exchange for them. When Diana's back was turned, he fired them at her, and she fell under love's spell to him.
Zeus' father Cronus returned with an army of new Titans: Arch, Disdain, Harrier, Oblivion, Slaughter, and Titan. Their power had grown from the faith of a cult on Earth. The Titans heralded the coming Cronus. Cronus sought to capture all power of the godwave. He began by defeating the Olympians and casting Zeus down to Earth. He then conquered the Hindu pantheon and headed for Heaven. But Wonder Woman freed the Olympians and united with the Hindus and the Pax Dei (heavenly host). Diana trounced Cronus but the god still managed to touch the power of the Source. In doing so, he gained perfect clarity. Humbled, he returned to mother Gaea. Afterwards, Zeus formed an alliance with the other pantheons. Indeed, Zeus soon appeared to Superman with several allies under the banner of I.D.C.A.P. (Interfaith Deity Council of Active Polytheistics).
In 2016, "Issue #48" of Sensation Comics, featured Wonder Woman officiating a same-sex wedding, drawn by Australian illustrator Jason Badower. "My country is all women. To us, it's not 'gay' marriage. It's just marriage", she states to Superman. Inspired by the 2015 June Supreme Court ruling that established marriage equality in all 50 United States, Badower says DC Comics was "fantastic" about his idea for the issue. In an interview with The Sydney Morning Herald, he said his editor "Was like 'great, I love it! Let's do it.' It was almost anticlimactic." "Diana's mother, the queen, at the very least authorized or in some cases officiated these weddings," Badower says. "It just seems more like a royal duty Diana would take on, that she would do for people that would appreciate it."
As Themyscira's emissary to Man's World, Diana has made it her duty to lead by example, even if the differences between her birthplace and new home sometimes present hurdles for her to jump. She has come to represent the possibility and potential of life without war, hate or violence, and she is a beacon of hope to all who find themselves in need. She stands as an equal among the most powerful Super Heroes, with a sense of purpose to protect the world from injustice in all forms.
^ Mozzocco, J. Caleb. "The Many Loves of Wonder Woman: A Brief History Of The Amazing Amazon's Love Life". ComicsAlliance. Archived from the original on August 30, 2012. Retrieved August 28, 2012. When the next volume of Wonder Woman would start, Trevor was sidelined as Diana's love interest. He still appeared in the series, but as an older man, one who would ultimately marry the post-Crisis version of Wondy's Golden Age sidekick, Etta Candy.
Gloria Steinem, editor for Ms. magazine and a major supporter of Wonder Woman, stated "... [Marston] had invented Wonder Woman as a heroine for little girls, and also as a conscious alternative to the violence of comic books for boys." Badower described a near-international incident (involving an unnamed Russian general rolling dozens of tanks and munitions through a shady mountain pass) as an outstanding example for standing up to bullies. "She ends up deflecting a bullet back and disarming the general," he says, adding that "she doesn't actually do anything violent in the story. I just think that Wonder Woman is smarter than that."
Critics such as Valerie Estelle Frankel support Jenkins's vision. Frankel argues that the film subverts the male gaze, stating that the construction of Wonder Woman tends to shift every few decades as it reflects the state of feminism during different time periods, including third-wave feminism (which reflects Jenkins's approach). Zoe Williams offers a similar argument, stating that while Wonder Woman "is sort of naked a lot of the time," that is not, at the same time, "objectification so much as a cultural reset: having thighs, actual thighs you can kick things with, not thighs that look like arms, is a feminist act". Williams then juxtaposes Wonder Woman to past female action heroes such as Sarah Connor, Ellen Ripley, and Lara Croft, whom she suggests were all constructed for the male gaze, in which a "female warrior becomes a sex object", (a point which she argues that Jenkins directly references in the film).
A few decades later, second-wave feminist Gloria Steinem's Ms. Magazine debuted in 1972 with an image of Wonder Woman on the cover. Historian Tim Hanley suggests that this move shifted "the focus away from female superiority to sisterhood and equality, essentially making her a mascot of the women's movement". This perception shifted over the years, as demonstrated in December 2016 when the United Nations decided to drop the title of "honorary ambassador for the empowerment of women and girls" which it had given to the comic book character Wonder Woman a few months prior, in a ceremony attended by the actors who had portrayed her (Lynda Carter and Gal Gadot). The title was eliminated in response to a petition signed by 44,000 people which argued that Wonder Woman undermines female empowerment due to her costume, described as a "shimmery, thigh-baring bodysuit with an American flag motif and knee-high boots". The petition stated that "it is alarming that the United Nations would consider using a character with an overtly sexualised image at a time when the headline news in United States and the world is the objectification of women and girls". Wonder Woman director Patty Jenkins responded to both the petition and to the U.N.'s decision by stating that she thinks "that that's sexist. I think it's sexist to say you can't have both. I have to ask myself what I would apply to any other superhero".
GenresuperheroCharactersWonder Woman [Diana of Themyscira; also as a Star Sapphire]; Star Sapphire [Miri]; Star Sapphire [Miss Bloss]; Star Sapphire [Dela Pharon] (flashback, death); other unidentified Star Sapphires; Karnell (Dark God of Love); unidentified zombies (flashback); The Cheetah [Barbara Ann Minerva] (in Wonder Woman's memories); Steve Trevor (in Wonder Woman's memories); unidentified Girl Scouts (in Wonder Woman's memories); unidentified criminals (in Wonder Woman's memories); King Best (Dark God, flashback)SynopsisThe Star Sapphires bring Wonder Woman to Zamaron to face Karnell, the Dark God of Love from the Dark Multiverse, who plans to kill Wonder Woman and the Star Sapphires while her siblings attack Earth.Reprints
In her debut in All Star Comics #8, Diana was a member of a tribe of women called the Amazons, native to Paradise Island – a secluded island set in the middle of a vast ocean. Captain Steve Trevor's plane crashes on the island and he is found alive but unconscious by Diana and fellow Amazon, and friend, Mala. Diana has him nursed back to health and falls in love with him. A competition is held amongst all the Amazons by Diana's mother, the Queen of the Amazons Hippolyta, in order to determine who is the most worthy of all the women; Hippolyta charges the winner with the responsibility of delivering Captain Steve Trevor back to Man's World and to fight for justice. Hippolyta forbids Diana from entering the competition, but she takes part nonetheless, wearing a mask to conceal her identity. She wins the competition and reveals herself, surprising Hippolyta, who ultimately accepts, and must give in to, Diana's wish to go to Man's World. She then is awarded a special uniform made by her mother for her new role as Wonder Woman and safely returns Steve Trevor to his home country.
It was later retconned by Gail Simone that Wonder Woman's outfit design had Amazonian roots. During a flashback in Vol. 3, Hippolyta is shown issuing orders to have a garment created for Diana, taking inspiration from the skies on the night Diana was born; a red hunter's moon and a field of stars against deep blue, and the eagle breastplate being a symbol of Athena's avian representations.[volume & issue needed]