A stand-alone #0 Issue was released in September which explored Diana's childhood and her tutelage under Ares, the God of War.[76] The issue was narrated in the style of a typical Golden Age comic book and saw Diana in her childhood years. The main plot of the issue was Diana training under Ares as he thought of her being an extraordinary girl with immense potential. The issue ultimately concluded with Diana learning and experiencing the importance of mercy, as she hesitates and refuses to kill the Minotaur- a task given to her by Ares; however, this show of mercy makes her a failure in Ares' eyes.

Wonder Woman, while in her guise as the human Diana Prince, is an extremely experienced genius antiquities dealer, with Diana's tremendously long immortal life and natural fluency in all human languages allowing her to accumulate an immense amount of knowledge on the subject, though (being an Amazon with Old God heritage) she seems to specialize most in ancient Greco-Roman antiques. Hence, Diana works as Curator for the Department of Antiquities[6] at the extremely prestigious Louvre Museum in France, and she is held in very high esteem by the curator of the Gotham City Museum of Antiquities. She was swiftly able to tell that the museum's exhibit of Alexander the Great's sword was a fake, knowing exactly where the actual sword was and impressing Batman himself.
Alfred informs Bruce that people are in danger, which Batman tells Flash that he needs to save the civilians. Diana and Arthur try to keep Steppenwolf away from Cyborg by using the Lasso of Hestia to pull him down, then Steppenwolf attacked them both before he knocks Arthur into a wall breaking the ceiling before Diana saves him. Cyborg tries to keep Steppenwolf away from him, but fails which leads with Steppenwolf pulling off one of his legs.
In present-day Paris, Diana receives a photographic plate from Wayne Enterprises of herself and four men taken during World War I, prompting her to recall her past. The daughter of Queen Hippolyta, Diana is raised on the hidden island of Themyscira, home to the Amazonian women warriors created by Zeus to protect mankind. Hippolyta explains the Amazonian history to Diana, including how Ares became jealous of humanity and orchestrated its destruction. When the other gods attempted to stop him, Ares killed all but Zeus, who used the last of his power to wound Ares and force his retreat. Before dying, Zeus left the Amazons the island and a weapon, the "Godkiller", to prepare them for Ares's return.
Superhuman Strength: As a demigoddess, Wonder Woman possesses incredible superhuman strength, making her the second strongest member of the Justice League, only surpassed by Superman. She can effortlessly bend metal bars, slam through solid walls and reinforced glass, and pry open steel doors. Even before accessing her full divine powers, Wonder Woman was strong enough to dominate several Amazons during her training, knocking down one with a whip and another with a shield, as well as kicking Antiope's sword out of her hand. Wonder Woman's strength extends to her ability to leap great distances. In a bar fight, she was able to throw a man across a room with an effortless shove of her hand. She effortlessly lifted an adult man with one arm and held him in the air, and threw an armored Ehrhardt E-V/4 tank in the air with ease. She was also able to effortlessly knock down many German soldiers with her shield and lasso. Wonder Woman was also able to deflect a missile with her shield, and withstand hundreds of shots at a time on her shield, albeit with considerable effort, as well as deflecting with her bracelets bullets and energy blasts with relative ease. Diana's immense strength allowed her to fight Ares, the powerful God of War, despite the considerable divine power of her older brother, managing to grab him from the waist and throw him against the roof of a warehouse. However, she was still easily dominated by the much stronger Ares. After obtaining and releasing her true divine power, Wonder Woman was able to fight Ares to an even greater degree, managing to knock him down and hit him in the face twice, as well as defeat a small German battalion using only her strength, and raise a very large and heavy German tank without much effort, which weighed 29 tons.[11] One hundred years later, Wonder Woman had become powerful enough to face the powerful Kryptonian deformity known as Doomsday, with her blows being powerful enough for the monster to wobble, stopping a massive blow of the monster with her sword. She was even able to knock him down with one strike of her shield on one of Doomsday's legs, as well as cut a car thrown toward her by Doomsday in half. Wonder Woman was also able to fight several times against the powerful Steppenwolf, managing to take him from the waist, knock him down through a wall, and shove him against a concrete wall. She was able to stab her sword into one of the feet of the New God, cut him at the waist, and, with the help of Aquaman, knock him down before he reached Cyborg. Wonder Woman was also able to break Steppenwolf's Electro Axe with her sword after Superman froze it with his freezing breath. In addition, after his resurrection, Wonder Woman was able to defend herself briefly against Superman during his confusion, the two generating a powerful shockwave with a single headbutt. The only beings that surpass the strength of Wonder Woman are Doomsday, Steppenwolf and Superman.

The team learns that a gala will be held at the nearby German High Command. Steve and Diana separately infiltrate the party, with Steve intending to locate the gas and destroy it, and Diana hoping to kill Ludendorff, believing that he is Ares and thus killing him will end the war. Steve stops her to avoid jeopardizing his mission, but this allows Ludendorff to unleash the gas on Veld, killing its inhabitants. Blaming Steve for intervening, Diana pursues Ludendorff to a base where the gas is being loaded into a bomber aircraft bound for London. Diana fights and kills him, but is confused and disillusioned when his death does not stop the war.

The Greek messenger god, Hermes, entrusts Wonder Woman with the protection of Zola, a young woman, who is pregnant with Zeus's child, from Hera, seething with jealousy and determined to kill the child.[131][132][133][134][135] With the appearance of a bizarre, new, chalk-white enemy, the goddess Strife (a reimagined version of Eris, the goddess of discord who had battled Wonder Woman in post-Crisis continuity), Wonder Woman discovers she, herself, is the natural-born daughter of Hippolyta and Zeus, who, after a violent clash, became lovers.[136] Hippolyta revealed Diana's earlier origin story to be a lie, spread amongst the Amazons to protect Diana from the wrath of Hera, who is known for hunting and killing several illegitimate offspring of Zeus.[136]

Hermaphroditus Wonder Woman #69 (April 24, 2019) Hermaphroditus is the God of Androgyny, Sexuality, Unions, Fertility and Marriage who is based on the god of the same name. In the DC Universe, Hermaphroditus is a transgender deity with angelic wings and goes by the name "Atlantiades". He revealed that he left Mount Olympus in hopes to get away from his mother Aphrodite and decided to take refuge on earth in a neighborhood called Summergrove in Connecticut. He used his powers to influence the Summergrove residents to submit to their inner desires.
Pérez and Potter wrote Wonder Woman as a feminist character, and Pérez's research into Greek mythology provided Wonder Woman's world with depth and verisimilitude missing from her previous incarnation.[35][36] The incorporation of Greek gods and sharply characterized villains added a richness to Wonder Woman's Amazon heritage and set her apart from other DC heroes.[9]
Development of a live action Wonder Woman film began in 1996, with Ivan Reitman slated to produce and possibly direct. The project floundered in development hell for many years; Jon Cohen, Todd Alcott, and Joss Whedon, among others, were also attached to the project at various points. Warner Bros. announced the film in 2010 and Jenkins signed on to direct in 2015. Inspiration for Wonder Woman was drawn from Wonder Woman creator William Moulton Marston's 1940s stories and George Pérez's 1980s stories about Wonder Woman, as well as the New 52 incarnation of the character. Principal photography began on November 21, 2015, with filming taking place in the United Kingdom, France, and Italy before finishing on May 6, 2016, the 123rd anniversary of Marston's birth. Additional filming took place in November 2016.
“Anniversary, which we forgot entirely,” Olive Byrne wrote in her secret diary in 1936. (The diary remains in family hands.) During the years when she lived with Marston and Holloway, she wore, instead of a wedding ring, a pair of bracelets. Wonder Woman wears those same cuffs. Byrne died in 1990, at the age of 86. She and Holloway had been living together in an apartment in Tampa. While Byrne was in the hospital, dying, Holloway fell and broke her hip; she was admitted to the same hospital. They were in separate rooms. They’d lived together for 64 years. When Holloway, in her hospital bed, was told that Byrne had died, she sang a poem by Tennyson: “Sunset and the evening star, / And one clear call for me! / And may there be no moaning of the bar, / When I put out to sea.” No newspaper ran an obituary.
Principal photography on the film began on November 21, 2015,[119][120] under the working title Nightingale.[121][122] Among the film sets were Lower Halstow, Kent,[123] and Australia House[124] in England and the Sassi di Matera,[125] Castel del Monte[125] and Camerota[126] in Southern Italy. Matthew Jensen was the director of photography,[127] filming in the United Kingdom, France and Italy.[128] Production in London concluded on March 13, 2016.[129] On March 20, 2016, filming was underway in Italy. In late April, filming took place at the Louvre Museum in Paris, France, where a Wayne Enterprises truck was spotted alongside Gadot.[130] Principal photography finished on May 9, 2016.[131] Patty Jenkins and director of photography Matt Jensen said that the film's look was inspired by painter John Singer Sargent.[132] Reshoots took place in November 2016, while Gadot was five months pregnant. A green cloth was placed over her stomach to edit out her pregnancy during post-production.[133]
Writer Eric Luke next joined the comic and depicted Diana as often questioning her mission in Man's World, and most primarily her reason for existing. His most memorable contributions to the title was having Diana separate herself from humanity by residing in a floating palace called the Wonder Dome, and for a godly battle between the Titan Cronus and the various religious pantheons of the world. Phil Jimenez, worked on the title beginning with issue #164 (January 2001),[42] and produced a run which has been likened to Pérez's, particularly since his art bears a resemblance to Pérez's. Jimenez's run showed Wonder Woman as a diplomat, scientist, and activist who worked to help women across the globe become more self-sufficient. Jimenez also added many visual elements found in the Wonder Woman television series. One of Jimenez's story arcs is "The Witch and the Warrior", in which Circe turns New York City's men into beasts, women against men, and lovers against lovers.[43][44][45]
Meanwhile, the New God Orion had learned that a great danger was to be found on Earth in the form of the child of a god. He sought out his old friend Milan for help. Nearby, Diana and Lennox decided to seek Milan by themselves, leaving Zola and Hera to bicker with one another in the meantime. They found him in the old subway system with Orion. Though their encounter began violently, Lennox managed to explain that they had accounted for six of the seven children of Zeus.[28] Orion believed that one of those seven was the child that he had been sent to kill. Lennox and Diana concluded that he was referring to Zola's kidnapped son, and so they convinced Milan to search through the ether until he located the boy in the arms of Demeter.[29] When they all returned to Manhattan to find Zola and Hera in a bar with War, Diana managed to convince her uncle to lead her to Demeter's domain.[30]
Diana and Trevor arrived at the British War Council's meeting place. Trevor told her to stay behind while he retrieved one of his superiors from the war room. Curious, she followed him into the room, where dozens of men argued with each other while Sir Patrick Morgan struggled to be heard. The room fell silent as the men noticed Diana, as women were not allowed in the room; Trevor quickly escorted her out.
A few decades later, second-wave feminist Gloria Steinem's[228] Ms. Magazine debuted in 1972 with an image of Wonder Woman on the cover. Historian Tim Hanley suggests that this move shifted "the focus away from female superiority to sisterhood and equality, essentially making her a mascot of the women's movement".[225][229][230] This perception shifted over the years, as demonstrated in December 2016 when the United Nations decided to drop the title of "honorary ambassador for the empowerment of women and girls" which it had given to the comic book character Wonder Woman a few months prior, in a ceremony attended by the actors who had portrayed her (Lynda Carter and Gal Gadot).[231] The title was eliminated in response to a petition signed by 44,000 people which argued that Wonder Woman undermines female empowerment due to her costume, described as a "shimmery, thigh-baring bodysuit with an American flag motif and knee-high boots". The petition stated that "it is alarming that the United Nations would consider using a character with an overtly sexualised image at a time when the headline news in United States and the world is the objectification of women and girls".[232][233][229] Wonder Woman director Patty Jenkins responded to both the petition and to the U.N.'s decision by stating that she thinks "that that's sexist. I think it's sexist to say you can't have both. I have to ask myself what I would apply to any other superhero".[234]
Wonder Woman had its world premiere on May 15, 2017, in Shanghai. It premiered on May 25, 2017, in Los Angeles.[146] The film's London premiere, which was scheduled to take place on May 31 at the Odeon Leicester Square, was cancelled due to the 2017 Manchester Arena bombing.[147] The film had its Latin America premiere in Mexico City on May 27. It was released in most of the world, including in IMAX,[148] on June 2, 2017, after originally being scheduled for June 23.[149][150] Belgium, Singapore and South Korea received the film first, with May 31 openings.[151][152][153] On April 17, it was announced that Wonder Woman would be released in China on June 2, the same day as its North American release.[154]
In Wonder Woman Vol. 1 #204, Diana's powers and costume were returned to her and she is once again reinstated as Wonder Woman.[94] I-Ching is killed by a crazy sniper in the same issue.[96] Later, Diana meets her sister Nubia, who is Hippolyta's daughter fashioned out of dark clay (hence Nubia's dark complexion).[97][98] Nubia claimed to be the "Wonder Woman of The Floating Island", and she challenges Diana to a duel which ends in a draw.[98] Returning to her home, Nubia would have further adventures involving Diana.[97]

She later became a major character in the DC Animated Universe in Justice League and its sequel, Justice League Unlimited. Both shows were massively popular and helped bring Wonder Woman back to relevance for a younger generation. The DCAU is notable for introducing the idea of a romance between Batman and Wonder Woman, something that was unheard of in the original comic books. Throughout the DCAU, Wonder Woman was voiced by Susan Eisenberg.
An American pilot and the love interest of Diana.[21][22] On his role for the film, Pine said, "I am an American pilot who's a spy. It's like a boy's dream: You're either a spy or a fighter pilot. The first thing I wanted to be was a fighter pilot a long time ago. I wanted to be Goose [from Top Gun]".[15] As to how his mortal character would interact with an Amazon, Pine stated, "When I first read the script, it had elements of Romancing the Stone, kind of a very classic fish out of water. Two people that don't really bond well at first and they're butting heads and just fun, witty banter".[15] When speaking about meeting the director and being cast, Pine said, "Patty is a pretty incredible human being. When we first met about the part of Steve, she sat across from me and essentially acted out the entire film over the course of a two-hour lunch. She was so specific, so articulate, and so ardent. I would've said yes just for Patty alone."[23] Pine went through a workout regimen for the film, commenting, "I got in incredible shape for this film" but also joking "I was also wearing about 75 pounds of clothing. What I realized is that I made a major mistake, I got in great shape and they just put clothes over all my hard work."[24]
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